WORK

SHORTFILMS AND DOCUMENTARIES

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001
FERNANDADirected by Juan Andretta and Xàndria Morte
FIlmed by Júlia Bellet and Anxo Currás
Edited by David Pallás

© 2022 Universitat Pompeu Fabra
Barcelona, Spain

002
NELLY Directed and fIlmed by Juan Andretta and Xàndria Morte
Produced by Anxo Currás
Edited by Júlia Bellet

© 2023 Universitat Pompeu Fabra
Barcelona, Spain

003 PESSIC Directed by Biel Castro and Sara Nadal
Filmed by Juan Andretta
Edited by Martina Garcia

© 2024 Universitat Pompeu Fabra
Barcelona, Spain

004JALEO!
Directed by Sara Nadal and Carla Casadesús
Filmed by Aina Albareda
Cinematography assisted by Juan Andretta
Edited by Marina Berral

© 2025 Universitat Pompeu Fabra
Barcelona, Spain

PHOTOGRAPHY

00622, MAMÁ

22, Mamá is a documentary photographs series about the life of a premature motherhood experience

Photography by Juan Andretta

© 2021 Universitat Pompeu Fabra
Barcelona, Spain

007LOSVIENTOS [book in progress] Losvientos, a collective photobook and idea conceived by Juan Andretta, Xàndria Morte, Anxo Currás and David Pallás.

Directed by Juan Andretta and Xàndria Morte
Photography by Juan Andretta, Anxo Currás and David Pallás

© 2025 Universitat Pompeu Fabra
Barcelona, Spain

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008A MEANING RISING [work in progress]
Currently a work-in-progress street photography collection that seeks to reveal
how light shapes the everyday, creating natural and spontaneous compositions
that transform the ephemeral into a visual language.

Photography by Juan Andretta
Shot on Iphone

ESSAYS

009 STILL THE WATER: CINEMA AS A SPIRITUAL VEHICLE This essay explores Naomi Kawase’s Still the Water (2014) as a cinematic vehicle for spirituality. Through the lens of Deleuze’s concept of the time-image, it examines how the film’s landscapes, natural cycles, and contemplative rhythms reveal the invisible—bridging life, death, and the spiritual dimension of cinema.

010 QUEER VIOLENCE IN THE CINEMA OF GREGG ARAKI
This essay explores Gregg Araki’s films as spaces where queer identity and violence intersect. Through his radical aesthetics and provocative mise-en-scène, Araki challenges normative representations and builds a distinctive queer cinematic language.

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